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The pink or white gold bracelet versions are fitted with bracelets which, such as the frosted finish, possess a hand-crafted element that gives the watch a jewellery aesthetic. Audemars Piguet calls it the Polish bracelet since it’s given a high gloss to make it more supple on the wrist. It’s assembled by weaving gold threads, much like a Milanese mesh-style bracelet, but with a huge difference. In the Polish bracelet, the gold threads are in a right-over-left pattern rather than in precisely the same direction. The result is a bracelet which is more elastic and consequently hugs the wrist just like another skin. This can be made more possible by the ability to closely size the bracelet by adding or removing links in 5mm sections. The sub-dials on the bracelet models are mother-of-pearl. The instances on all 3 new Millenary watches are scaled to 39.5mm, which makes them more wearable than the 45mm pieces in previous versions, and far more wearable than the 47mm Millenary 4101, a version more intended for a person’s wrist. The new, scaled-down versions make the Millenary more purely a women’ collection, which is a good move for Audemars Piguet. All three new versions include the manually-wound Caliber 5201, which is reversed to display some of its elements on the dial side. Pricing for the newest Millenary models will be available in mid-January. Regardless of whether you’re into all things that glow, it can’t be denied that 2017’s SIHH tendencies were punctuated by heaps of the 79th part in white, yellow, and frosty colours. And nobody needed more to reveal in this camp than Audemars Piguet, whose Extra-Thin Jumbo Royal Oak (mention 15202) in gold did not quite steal the spotlight from the showstopping Perpetual Calendar in ceramic, but it certainly came incredibly close — particularly for people who’ve been following the previous 40 or so years of the Royal Oak.
Now, the “best” for Audemars Piguet means their striving to create the very clear and crisp sound of any minute repeater. The brand points into three accomplishments demonstrated within this watch, which I will briefly run through. First, the special preparation of the steel used to create the gong arrangement makes it possible for the watchmakers to more accurately and easily adjust and hone the pitch, tone, and stability of the minute repeater. Secondly, the way in which the situation is constructed minimizes sound absorption and maximizes amplification. I’ll discuss this “soundboard” technique a bit in the future. Last, the striking regulator is redesigned so that the anchor system behaves as a shock absorber, minimizing shock noise.One of the most significant constituents of a minute repeater Audemars Piguet Watches Per Year Replica is that the situation because it is responsible for broadening the sound. It’s often said that gold would be the ideal material for the task as it generates a richer sound, but the Audemars Piguet Royal Oak Concept Supersonnerie Tourbillon Chronograph watch opts for titanium. In case you have any questions about this, you just need to check at exotic supercars and their titanium exhausts. Titanium can also be used everywhere round the watch to improve the quality of the sound, but more with this later.The utilization of titanium also means that despite the watch’s sizable measurements, at 44mm wide and 16.5mm thick, it still remains light and comfortable to wear. And thanks to its unique aesthetic, the case design instantly identifies the opinion as a Royal Oak Concept and nothing else.It goes without saying that the case is finished to an impeccably large standard with contrasting finishing. The bezel has mirror polished borders and includes a satin-brushed finish on the surface, which matches the exposed polished 18k white gold twist heads. The case was sandblasted and has a matte finish that juxtaposes quite well with the shinier bezel. The large crown and chronograph pushers are made from ceramic.
What’s left of the “dial” is essentially a satin-brushed, ruthenium-toned ring round the border and both anthracite sub-dials. There’s a rehaut printed with a second chapter ring as well. In my experience, legibility is not the strongest suit for a skeletonized watch, but that’s less of a problem in the case of the watch. The use of pink gold applied hour markers and pink golden baton-shaped hands, both filled with lume, should provide sufficient legibility in most lighting conditions. The “Audemars Piguet” logo is printed onto the surface of the sapphire crystal on the front, and this gives it a pleasant floating effect.The sub-dials are simple with white printed white and text baton-shaped hands. The sub-dial at 3:00 suggests chronograph minutes and also the one at 9:00 shows continuous seconds. 1 possible issue with legibility has to do with the chronograph seconds hand, which is black with a lumed white hint. Between just how thin the seconds hand is and also the color, reading the chronograph elapsed time might be more awkward than people may like. It is not easy to say for sure until we get our hands on a physical example of the watch.I’ve left the case and bracelet description for the last because those are a few of the most recognizable aspects of the watch. This is the exact same Gerald Genta design that is so popular among several collectors but with 44mm by 13.2mm case dimensions. This is a fairly large Audemars Piguet Watches And Prices Replica with a wide bezel on both the front and back. All the straight lines and sharp angles additionally give it a bigger appearance. There will be the obvious visual differences in both substances but what I find intriguing is that ceramic is usually a light material with high tensile strength, while gold is a compact but soft substance. This means is that the experience of wearing every variant should be substantially different, and that I personally find this interesting.

Last year Audemars Piguet introduced the Royal Oak Offshore Diver Chronograph in luminescent colours – that same colour palette has now been applied to the time-only Royal Oak Offshore Diver.

One of a dozen new Royal Oak models to be unveiled at SIHH 2017 tomorrow, the Royal Oak Offshore Diver “Funky Colour” is available in five different colours: white, blue, yellow, orange and green. Each dial colour has dark blue accents to match.

Audemars Piguet Royal Oak Offshore Diver white

Audemars Piguet Royal Oak Offshore Diver blue

The dials are decorated with the chequerboard Méga Tapisserie guilloche that’s standard for the Royal Oak Offshore.

Colours aside the new Offshore Diver is identical to the previous models. The steel case is 42mm in diameter and rated to 300m, with the crown at 10 o’clock to rotate the inner elapsed time bezel around the dial. And it’s powered by the calibre 3120, AP’s in-house automatic movement.

Audemars Piguet Royal Oak Offshore Diver green

Audemars Piguet Royal Oak Offshore Diver Yellow

Audemars Piguet Royal Oak Offshore Diver orange

The Offshore Diver “Funky Colour” is delivered with two rubber straps, one to match the dial colour, and another in dark blue.

AP has yet to reveal pricing and availability, but with the earlier versions of the same retailing for US$19,000, expect this to be similarly priced.

Individual model references are as follows:

Blue – ref. 15710ST.OO.A027CA.01
White – ref. 15710ST.OO.A010CA.01
Yellow – ref. 15710ST.OO.A051CA.01
Orange – ref. 15710ST.OO.A070CA.01
Green – ref.15710ST.OO.A038CA.01


 

 

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