Now, the “best” for Audemars Piguet means their striving to make the most crisp and clear sound of any minute repeater. The brand points to three accomplishments demonstrated within this particular watch, which I will briefly run through. To begin with, the special preparation of the steel used to create the gong structure allows the watchmakers to more accurately and easily adjust and hone the pitch, tone, and harmony of the minute repeater. Second, the method by which the situation is built minimizes sound absorption and maximizes amplification. I will discuss this “soundboard” procedure more a little bit later on. Last, the striking regulator is redesigned so that the anchor system behaves as a shock absorber, minimizing shock noise.One of the most significant constituents of a second repeater Audemars Piguet Jewelry Watches Replica is that the case since it is responsible for broadening the noise. It is often said that gold is the best material for the job as it produces a richer sound, but the Audemars Piguet Royal Oak Concept Supersonnerie Tourbillon Chronograph watch opts for titanium. In case you have any questions about this, you only need to check at exotic supercars and their titanium exhausts. Titanium is also used elsewhere around the watch to improve the quality of the sound, but more with this later.The utilization of titanium also means that despite the watch’s sizable measurements, in 44mm wide and 16.5mm thick, it stays light and comfortable to wear. And due to its unique aesthetic, the situation design immediately identifies the watch as a Royal Oak Concept and nothing else.It goes without mentioning that the case is finished to an impeccably high standard with contrasting finishing. The bezel has mirror polished edges and features a satin-brushed complete on the top, which matches the exposed polished 18k white gold twist heads. The case has been sandblasted and features a matte finish which juxtaposes very nicely with the more slender bezel. The large crown and chronograph pushers have been made out of ceramic.
As we already start awaiting 2018’s SIHH novelties, we thought it high time to have a closer look at a few of this season’s favorites, including the gloriously over-the-top 15202, left for the very first time as a modern, non-limited reference completely in 18-carat yellow gold. It’s not just the all-gold case that lends the 15202 significance though — there are a couple other (albeit more subtle) visual cues that set this particular reference apart, and might make it even more desirable for collectors in the future. Perhaps most obvious, is the very simple time plus date-only dial configuration, completed by the ‘AP’ logo at 6:00, which pays direct homage to the initial steel 5402 published in 1972. This aesthetic also tips its hat towards the yellow gold 5402BA Jumbo released five years later — the very first time Audemars Piguet rendered the Jumbo in this precious metal.However, more noteworthy is the thickness — the new 15202 steps a hair over 8mm, 0.2mm thicker than the first 5402, and the closest we have seen to those pioneering ultra-thin dimensions because the 40th Anniversary editions from 2012 — hence the ‘Extra Thin’ naming convention. This new-but-really-old profile, coupled with the eminently wearable 39mm case size really feels just like the sweet place for the Royal Oak, and has much to do with why this iconic design was able to become such a future-proof classic at the first place.The Jumbo Royal Oak in its most classic arrangement is a wristwatch that historically, by all measurements, should wear exceptionally thin. Those searching for a slightly more toned-down aesthetic still rendered in this metal will love the second of the 15202’s two brand new dial variants: a gorgeous blue, and this, given the spate of blue-on-bronze sports watches we’ve seen this year, is as much on-trend, since it’s slightly less ostentatious.
Since 2018 will mark the 25th anniversary of the Royal Oak Offshore, Audemars Piguet will commemorate the occasion with three particular Royal Oak Offshore offerings — with certainly a few more in the pipeline, waiting to be established at SIHH 2018. Here’s your first look in the Audemars Piguet Royal Oak Offshore Tourbillon Chronograph 25th Anniversary and the Royal Oak Offshore Selfwinding Chronograph.The first watch is a re-edition of the very first Royal Oak Offshore Selfwinding Chronograph from 1993. 26237ST stays very much faithful to the original. It features a 42mm stainless steel case and bracelet and a blue “Petite Tapisserie” dial. Unlike newer Royal Oak Offshore Selfwinding Chronographs who have sapphire display casebacks, the re-edition features a solid caseback engraved with the Royal Oak Offshore emblem. Water-resistance is 100m. The principal differences which we can see between this 2018 version and the first are extremely subtle, namely in the moments track and ‘Swiss Made’ print onto the periphery of the dial.Inside that the re-edition Royal Oak Offshore Selfwinding Chronograph beats the Caliber 3126/3840, exactly the exact same movement used in other modern Royal Oak Offshore chronograph watches. Aside from this moment, needless to say, this movement comprises chronograph and date complications, a 22k gold rotor, beats at 3Hz, and has a power reserve of 50 hours.
The Audemars Piguet Royal Oak is perhaps among the most well-known watches available today, and contrary to other watches of comparable fame like the Omega Speedmaster or Rolex Submariner, its fundamental design also enjoys considerable versatility in terms of complications. From straightforward time-only variants to more complicated offerings, there are numerous tastes of Royal Oak available, and also the Audemars Piguet Royal Oak Tourbillon Chronograph Openworked Material Good watch is among the more complicated examples.As an aside, and possibly it’s just me, but it seems just like brands actually must work on maintaining watch names to a manageable span. Getting back to the watch accessible, this particular Audemars Piguet Royal Oak was developed in collaboration with Material Good — a New York-based luxury retailer. As the name clearly suggests, encased inside the Gerald Genta-designed case is a openworked movement using a tourbillon and a chronograph complication.The Audemars Piguet Royal Oak Tourbillon Chronograph is powered with the grade 2936, which is a hand-wound movement using a 72-hour power reserve. The skeletonization is complicated and elaborate, and effort has gone into the bridge design to make sure the last result appears visually intriguing and balanced.The bridge at 12:00, which retains the mainspring barrel, has an intriguing arch-like design which matches the shape of the tourbillon cage on the opposite end. The bridges come in gold and polished to a brilliant finish and with lots of chamfering. The motion is visible through the sapphire crystal caseback and being a hand-wound movement means the chronograph mechanism is on full view.
Regardless of the svelte profile, however, the golden 15202 is a very hefty watch. This tactile illusion is because, of course to the fact that gold’s density is nearly 3 times that of stainless steel, giving the assertive wrist existence of a much bigger sports watch to one which can otherwise slip easily beneath the cuff of a dress shirt. When you look at the bracelet and case when considering the weight of the golden, the slim profile but strong gold appearance presents a contrasted personality which works well. It is safe, but a modern design icon within an old-school material.From the dial-side, the look and feel of this 15202 is distinctly timeless — like a vintage re-issue of this first 5402 in gold. Inside though, defeats another story. Here we have the Caliber 2121, now produced in house by Audemars Piguet (in the Royal Oak’s formative years, the 2121 was really produced by Jaeger LeCoultre). It is an ultra-thin automatic motion measuring 3.05mm thick, and characterized by a unique 2.75Hz (19,800 vibrations per hour), though that marginally lower-than-average alternance isn’t readily visible as the 15202 doesn’t feature a running seconds hand. Contrary to the 5402 that inspired it, the 15202 has a sapphire crystal exhibition caseback, by the cal. 2121’s 21-carat gold rotor is visible, as it slides back and forth on the circular railing running the circumference of this motion — one of those tricks enabling the 2121’s signature thinness.In total, the 15202 will be available in three variants — the new gold alternatives (yellow gold on champagne yellow, or yellow gold on blue) combine the present stainless steel 15202 that was re-introduced back in 2012. While the stainless steel Extra-Thin Jumbo Royal Oak starts at approximately $22,000, people looking to ‘remain gold’ can expect to part with more double that — $55,000 for its 18-carat gold variations.
Three new models are added into the Millenary collection at SIHH following month, with smaller instances and much more sparkle than ever. The Millenary is among three groups from Audemars Piguet that contain ladies’ watches, but basically, it is by far the most female-centric of their complete collections inside the brand. The Royal Oak and the Royal Oak Offshore equally have women’ versions, but they began as, and are known mainly as men’s collections. The jewelry collections are limited-edition one-offs, not made for everyday wear or pocketbooks. Gem-setting is a particular strength of the collection identifying the watches from the sportier Royal Oak and Royal Oak Offshore ladies’ pieces. At the exact same time, a partially openworked dial provides the Millenary a technical aspect — a reminder that it comes from one of the foremost makers of mechanical motions. The Millenary, last updated in 2015, will be refreshed with three brand new versions at SIHH next month in Geneva, for example two all-gold versions set with diamonds and a single gold instance version with a strap.The case on the strap version has a “frosted gold” finish that gives it the appearance of hand-finished jewelry. Frosted gold is a collaboration between Audemars Piguet and Florentine jewelry designer Carolina Bucci, using a technique called the Florentine technique. It’s created by employing a diamond-tipped tool to produce tiny indentations across the surface, culminating in a shimmering glow, such as snow. The finish was introduced last year on the ladies’ Royal Oak. On the Millenary, it’s applied between polished segments on the stepped bezel and lugs, and to areas of the case side. The signature counter tops sub-dials that record hours, minutes, and seconds are set with a new dial material for this collection. Audemars Piguet also adds a fashion Audemars Piguet Watch Royal Oak Price Replica component to the strap version.
Nicknamed the Royal Oak Offshore Chronograph “Novelty”, the 44mm version of Audemars Piguet‘s octagonal sports chronograph was not the focus of the new Royal Oak models unveiled at SIHH 2017, but nonetheless got a facelift with new dials (while keeping everything else the same). More significantly, a new version in titanium was added – the lightweight alloy’s debut for the “Novelty”.
The Royal Oak Offshore Chronograph 44mm in titanium (ref. 26400IO.OO.A004CA.01) features a contrasting black ceramic bezel, and paired with a dark grey dial as well as a grey rubber strap.
The facelifted Royal Oak Offshore Chronograph in pink gold (ref. 26401RO.OO.A002CA.02) now has a black dial with pink gold accents. The hands, hour markers, chapter ring as well as printed text are all in pink gold, giving the dial greater contrast compared to the earlier model, which was white on black.
And the last of the trio is the “Novelty” in black ceramic (ref. 26405CE.OO.A002CA.02). Unlike the earlier version that had a black and silver colour scheme, the new ceramic chronograph has a black dial with pink gold accents, as well as a touch of dark blue. The hands, hour markers and dial text are pink gold, while the chronograph hands are tipped in dark blue.
As before, the trio are all powered by the calibre 3126/3840, which is AP’s in-house automatic calibre topped with a chronograph module made by Dubois-Depraz.
Price and availability
The titanium model is priced at SFr27,500, while the black ceramic is SFr29,000. And the pink gold is SFr41,550.